Tuesday, November 27, 2012

UNT student fiber exhibition @ the panhandle


 UNT's Fiber Art Students invite you to join them for a one-night exhibition of contemporary art using traditional and modern fiber techniques. Sure to be a fantastic show!!!

"We are holding the event the same evening as Denton's Annual Holiday Lighting Festival and Wassail Fest at Panhandle House Recording Studio, just one block from the Square. There will be a colorful smorgasbord of wassail, cookies, and other delightful dainties at the studio to warm your body and soul, so bring the whole family! "

Strung Out will feature work by:
...

Morgan Kuster
Julie Shipman
Analise Minjarez
Erica Sheets
Marianna Wallace
Jewel Gibson
Viviana Belmares
Becca Wright
Kelcie McCurry
Alice Chang
Laura Brewer
Brittney Hammond
Brittany Harris
Hannah Blevens
Sarah Westrup
Laura Garcia
Cari Cat
 
Photos to come!

Saturday, November 3, 2012

Wylie Sofia Garcia debuts Dazzle Camouflage @ Ggallery Houston

Dazzle Camouflage
Wylie Sofia Garcia
November 3-December 2, 2012




Between November 7, 2010 and November 6, 2011 artist Wylie Sofia Garcia embarked on a year long project titled The Dress That Makes The Woman. The Premise: One Year. Twelve Dresses. One Woman. One Artist’s challenge to create and to wear a work of art for each month of the year. Dazzle Camouflage, Garcia’s first exhibition at G Gallery, is the sparkling detritus of personal couture, photo documentation, and blog entries from a project that asks does the dress really make the woman or is it the woman who really makes the dress? Dazzle Camouflage is a vertiginous metaphor for personal discovery and a desire to connect to the feminine human condition.

Wylie Sofia Garcia was born in Houston, Texas in 1980. She received her B.A. from The University of Chicago and her M.F.A. from Massachusetts College of Art and Design. She has participated in artist residencies at the Vermont Studio Center in Johnson, VT, the Seven Below Fund in Burlington, VT, the Fine Arts Work Center in Provincetown, MA, Central Academy of Fine Arts in Beijing, China and the Maine Photographic Workshops in Rockport, ME. She has received numerous awards and grants including most recently a Creation Grant from the Vermont Arts Council and a Fellowship to the Vermont Studio Center from the Sustainable Arts Foundation. Her work is in many private collections and has been exhibited in galleries and museums across the U.S.including The Art Complex Museum, Provincetown Art Association and Museum, and the Brattleboro Museum.

Wednesday, October 3, 2012

Nick Cave Exhibit Opening in Austin

Nick Cave

Hiding in Plain Sight


NicCave11-FULL

September 29–
December 30, 2012

First Floor Gallery and Film & Video Gallery

The Jones Center
American artist Nick Cave (b. 1959) makes hybrid work that exalts high culture while reveling in low culture, and effortlessly invokes the artistic traditions of at least a dozen nations. He fashions assemblage sculptures, or “Soundsuits,” of found materials: hooked rugs, figurines, toys, twigs, hair dyed outlandish colors, and every variety of button, sequin and bead. African ceremonial costumes are an evident inspiration, along with those of Mardi Gras Indians, glittery Haitian flags, Southeast Asian embroidery, and the spectacle of queer drag culture. A former dancer with the celebrated Alvin Ailey Dance Company, Cave finishes every piece before trying it on to see how it moves and sounds. Videos of performers in the Soundsuits will accompany the focused selection of sculptures on view in the gallery.
Soundsuits make the figure larger than life while masking the wearer’s face. The vaguely humanoid costumed figures are ambiguous, striking notes that range from buoyant whimsy to eerie menace. Despite their visual exuberance, Cave made his first Soundsuit of twigs as a sort of armor for the black male in response to the Rodney King incident and the L.A. riots. Cave wants viewers to think deeply about the world we inhabit and to use their imagination and fantasies to find hope and empowerment. Of his role as an artist, performer, and teacher, Cave says, “The arts are our salvation—the only thing that allows us to heal and also helps us dream about what will make the world a better place. I have a responsibility to the world to do something with my abilities as an artist.”

IMAGE: Nick Cave, Soundsuit, 2011, Dogwood twigs, wire, upholstery, basket, and mannequin, 86 x 36 x 28 inches, James Prinz Photography, Chicago. Courtesy of Nick Cave and Jack Shainman Gallery, New York.

Tuesday, September 25, 2012

Call for Entries:
"Interwoven IV: Accessorize!"

18 HANDS GALLERY, LLC
249 W 19TH STREET, STE B
HOUSTON, TX 77008

info@18handsgallery.com

SUBMISSION DEADLINE: October 1, 2012
 Now in its fourth year, our annual celebration of fiber arts this year turns the focus on fiber accessories of all kinds. “INTERWOVEN IV: Accessorize!” is a juried exhibition that will run from November 3, 2012 through November 14, 2012. Fiber should be the primary medium – cloth, yarn, paper, basketry, felt or leather are all possible materials. Accessories may include, but are not limited to hats, belts, jewelry, scarves, brooches, wraps, purses, etc. This exhibition is open to all fiber artists in the United States. Work must have been completed within the past 2 years. A maximum of 5 pieces per artist will be reviewed.

Prizes
All accepted entries will be eligible for “Best of Show” ($200) and “People’s Choice”($150) Awards. Images of all winning pieces will be featured on 18 Hands Gallery website during the month.
Juror
“Interwoven IV: Accessorize!” will be judged by Barbara Kile, an award-winning Houston-area fiber and mixed-media artist and instructor, recognized widely for her distinctive hats, purses and felted jewelry. A former Resident Artist at the Houston Center for Contemporary Craft, Barbara has taught a variety of workshops in felting and millinery arts throughout the region and is currently an instructor in the Fashion Department at Houston Community College in Houston, TX.